Thinking-Training

(Applause Books). Miguel de Cervantes (1547-1616) is Spain's most famous author, primarily because of his celebrated novel Don Quixote . His first love, however, was the theater, for which he wrote extensively. His Interludes , published 400 years ago in 1615, are short, comic plays that explore the underbelly of Renaissance Spanish society. Their characters include hillbillies and con artists, pimps and prostitutes, adulterous wives and jealous husbands, and an array of other comical figures. Cervantes's treatment of them is simultaneously critical and sympathetic. Although interludes tend to be works of light comedy, Cervantes often imbues his with deeper themes. Charles Patterson, a scholar of Hispanic theater, has created translations of the Interludes that are true to the earthiness of the originals but designed to be readily playable for today's actors and accessible to modern audiences. This book includes an introduction that places the plays in context, briefly describing the life of Cervantes, theater in early modern Spain, Cervantes's interludes, and Patterson's approach to translating them. Casual readers, theater and literature students, and professional actors alike will delight in these comedic gems that reveal a less familiar side of one of history's greatest writers.

A retelling of the exploits of an idealistic Spanish country gentleman and his shrewd squire who set out, as knights of old, to search for adventure, right wrongs, and punish evil.

The epic tale of an eccentric country gentleman and his companion who set out as a knight and squire of old to right wrongs and punish evil in sixteenth-century Spain.

Easy-to-read retelling of the hilarious misadventures of Don Quixote, the idealistic knight, and his squire, Sancho Panza, who set out to right the wrongs of the world. Abridged version with six charming illustrations.

James Montgomery's new translation of Don Quixote is the fourth already in the twenty-first century, and it stands with the best of them. It pays particular attention to what may be the hardest aspect of Cervantes's novel to render into English: the humorous passages, particularly those that feature a comic and original use of language. Cervantes would be proud. --Howard Mancing, Professor of Spanish, Purdue University and Vice President, Cervantes Society of America